How do I make RCA cables from this diagram?
What is going on here? I know I left out the 2nd page I can attach that, too in case that helps. If I can splice together some RCAs I think I really have a shot at getting this to work.
So, what do I do with these wires in the context of making some RCA outs? What are the "SE" wires and do I use those with the RCAs I am making or send them somewhere else? I have not installed an amp before.
Thanks everyone. I have answered many, many questions by searching through this forum.
Last edited by Pianoman72; Apr 23, 2003 at 12:10 PM.
Ok, let me ask this, normally when you have 1 wire (or two) per speaker and you want to use them as low-level inputs and make an RCA cable, how do you splice it? There is a middle and outer ring just like on a coax cable. I suppose one is + and one is - . My dilemma is I have this third wire (look at the diagram) and it may be nothing I just want to know before I buy everything I need.
I can't see enough of your diagrams, and can't tell exactly what you are trying to do. Watch out if you're trying to bypass the stock amp if it receives more than one set of preamp outs from the headunit (make sure you're looking at the right diagram). If you have a CD changer, this may be the case, as in the newer GS's with Pioneer system.
However, I will offer this: You are correct that the SE stuff is the shield for the preamp leads. It also is typically an isolated "signal" ground, which is not necessarily connected to the chassis ground of the headunit, or may only be connected internally at some optimal point for noise minimization. What you can do is connect the main preamp signal wire to the center conductor of the RCA connector, then connect the RCA outer ring to this shield ground. This should provide the proper ground reference for the signal, and also provide grounding for your new RCA shields from the front to rear of the car.
Also need to watch out for the peak-to-peak signal level that you're getting out of the headunit. If you're going into an amp that is equipped with high-level inputs, this should be no problem, but if not, you may need a LLC. (If this is the case you can have the LLC do the RCA conversion for you. Wires (signals/grounds) in, RCA's out. )
Since you don't show the other section of diagram, you may have signals that have same name, but with + on one and - on the other. If this is the case, then you can wire the + to the center cond of RCA, and the - to the outer ring. (It is done this way on my '99 GS Nak system)
Just in case.
https://www.clublexus.com/forums/sho...threadid=81700
I will attach the rest of the diagram but I don't think it provides much help. Don't worry about the CD changer I don't have one anyway.
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While it is possible that the signal is balanced, I doubt that it actually is, even if the wires appear to indicate that. Only an oscilloscope will tell. If it is, the signal on the (-) wire will be exactly the negative of the one on the (+) wire for all channels. The reason I say that I doubt that it is balanced: My 99 Nakamichi system has 4 channels of + and - on the schematic, and all of the wires are present in the harnesses - When I checked the signal on each of them with a scope, there was no signal on the (-) wire. What they probably do is use it in a pseudo-balanced configuration where both wires pick up the same noise as they travel through the car, and then this noise is cancelled at the amp's balanced inputs. (Normally, for a balanced input, the (-) signal is subtracted from the (+) signal, yielding a gain of two, while also cancelling common-mode noise. This helps signal to noise ratio. If there is no signal on (-), then no increase in gain.)
I checked your other post: What Percy said. Just use the (+) signal and ground. Not the (-). Your diagram does not reflect what he indicated. You've shown an XLR to RCA connection, in which the RCA is the source, and its ground is wired to the neg of the XLR. You need to ignore the (-) wire and just wire the (+) to center and ground to outer ring of RCA, just one wire to each.
Good luck! Watch your levels, just as important as what wires go where. It would be best to get a test disc (even if you have to play it through a cassette adapter) and check the peak levels on your wires with a scope. That way you know that you will not overload the amp stage. Otherwise, you are playing by ear and a hotly recorded signal may overload and distort.
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